New album, ‘Fluid Existential Inversions’, out now
Last Friday (February 28th), Intronaut released their sixth full-length, Fluid Existential Inversions, via Metal Blade Records – which features some of the most dramatic and epic sounds of their career. For a preview of Fluid Existential Inversions, the video for the album track “Speaking of Orbs” can be seen now at: youtu.be/n-jQ565oHpM
To stream Fluid Existential Inversions in full and purchase the record in a variety of formats, please visit: metalblade.com/intronaut
It’s been a five-year gap since 2015’s The Direction Of Last Things, the longest between any two Intronaut records, but with good reason. “Some of this music was written within a week of the last record being released, and we originally wanted to get into the studio to make this album back in early 2017, but I think the band was kind of burnt out, and I personally was definitely burnt out, and we decided to take a year off before committing to a new album and the touring stuff that comes with it. After a little time off, I kept writing on my own and I realized I love making this music whether we’re an active band or not.” A change in the unit’s ranks set things back another year, but soon enough, they were back on track. The addition of drummer Alex Rudinger (The Faceless, Whitechapel) to the Intronaut lineup definitely played a key part in how the record came together, Dunable praising his obsessive work ethic and a “dedication to his craft like I’ve never seen before.” With all the players in place, it was a case of getting down to work and creating the ultimate Intronaut album – which features keyboards for the first time in the band’s history.
When it came time to record Fluid Existential Inversions, Intronaut once again teamed up with producer Josh Newell and spent a month locked in the studio with him. They invited previous collaborator Ben Sharp – aka Cloudkicker – to be a part of the process, penning one of the main riffs of closer “Sour Everythings” and playing some guitar on both that track and “The Cull”. When it came to mixing the record, the band reached out to Kurt Ballou (Converge, High On Fire), resulting in a unique finished product that stands apart from their catalogue.