HAAVARD, the acoustic brainchild of mastermind and sole member Håvard Jørgensen aka Lemarchand of early ULVER and SATYRICON fame, has released the magical opening track ‘Printemps’ (“Spring”) as the first single taken from the Norwegian’s forthcoming self-titled debut album “Haavard”, which has been slated for release on November 11.
Furthermore, HAAVARD has released the album details of “Haavard”, which can be viewed below.
The video clip ‘Printemps’, a melancholic celebration of Norway’s natural beauty, is now available for immediate publication via this link: https://youtu.be/DQIZXlJm7EU
Prre-sale link: http://lnk.spkr.media/haavard
HAAVARD comment: “The first single ‘Printemps’, is a song about birth and rebirth”, the guitarist and singer explains. “This is quite fitting as it also represents the first notes that you are hearing from me after a long silence. This track will give you a fair idea of what my new album is about as it stands for everything that this musical project means to me. There are movements at the break of dawn in it, and the song is also a musical portrait of spring, when life is blooming lush and recklessly. The cycle of eternal growth begins anew and with it comes the sadness about its inevitable demise. What has happened before be happening again.”
4. The Chase
8. Niende Mars
9. Kveldssang Ii
11. Mot Soleglad
If anybody else were to release an album that sounded as remarkably close as “Haavard” to ULVER’s magical acoustic masterpiece “Kveldssanger”, which stunned the Norwegians’ followers with its radiant beauty in 1996 and that also contained a track entitled ‘Kveldssang II’ – that musician would be accused of blatant plagiarism.
Yet guitarist and vocalist Håvard Jørgensen is both, the musical mastermind behind “Kveldssanger” and “Haavard”, which means that his debut album as a solo-artist is in part a legitimate follow-up to ULVER’s folkish excursion into acoustic sounds that he realised with the help of many excellent guest musicians – including vocals by Kristoffer “Garm” Rygg.
Under the banner of HAAVARD, the Norwegian continues his unique artistic approach that unveils the epic and sublime melodies, which are deeply rooted in his native land’s folklore and romantic period composition and that are inherent in and an integral part of Nordic black metal. The guitarist respectfully removes all the harsh electronic fuzz and musical rage that generally drives this style. Through its acoustic and largely instrumental translation, Jørgensen lays bare the spectacular layers of cinematic beauty that hide underneath – and Norway’s fjords and fjell become clearly visible again in his music.
Throughout the 90s, Jørgensen was an integral part of Oslo’s fast rising black metal scene. At the beginning of this musically extremely exciting decade, the guitarist joined ECZEMA, which had been founded by drummer Exhurtum aka Carl-Michael “Aggressor” Eide and bass player Vegard “Wargod” Tønsberg Bakke in 1990. Shortly after Jørgensen had signed up, the trio decided to turn towards black metal and after the later figurehead Satyr had also joined, the four of them continued under the new name SATYRICON.
Jørgensen also joined the black scene’s progressive spearheads ULVER, where he remained a member from the first “Rehearsal” demo from 1993 until “Perdition City” (2001). Yet even after officially leaving, he continued to appear as a guest on later recordings.
Although feeling somewhat disenchanted with black metal after a while, Jørgensen continued to appear in various formations and for example contributed acoustic guitars to MYRKUR’s “M” (2015) and live album “Mausoleum” (2016). In 2019, the guitarist founded new Oslo black metal act DOLD VORDE ENSD NAVN together with three current and former members of DØDHEIMSGARD.
With his passion for the darker side of music re-kindled, Jørgensen decided to pick up the loose ends of the beautiful thread that “Kveldssanger” had left behind with his self-named solo-project HAAVARD. Audibly adding many years of experience, “Haavard” again invites us on an acoustic journey into the beating melodic heart of dark Nordic music. This album is the ‘missing link’ between a modern interpretation of folklore inspired Norwegian music and black metal. And although in a paradoxical twist, the latter seems not to be present on this album, it sure is. Beauty easily has all of us fooled.
Release date: November 11, 2022
Style: Dark Nordic Folk
Håvard Jørgensen – guitars, various synth sounds
Kristoffer “Garm” Rygg – vocals on ‘Mot Soleglad’
Torgeir Waldemar and Kristoffer Rygg – backing voices on ‘Eastwood’
Anders Møller – acoustic percussion
Tore Ylwizaker – keyboards, Mellotron
Lars Nygaard – accordion on ‘Emmanuelle’
Kristine Marie Aasvang – flute on ‘Oberon’, ‘Snøhetta’, ‘Athena’
Ole-Henrik Moe – violin, viola on ‘Heartwood’, ‘Snøhetta’, ‘Eastwood’, ‘Sørgemarsj’
Evan Runge – violin on ‘Printemps’, ‘Oberon’, ‘Emmanuelle’, ‘Niende Mars’, ‘Myrull’, ‘Athena’
Raphael Weinroth-Browne – cello on ‘Printemps’, ‘Oberon’, ‘Emmanuelle’, ‘Niende Mars’, ‘Myrull’, ‘Athena’
(Evan Runge and Raphael Weinroth-Browne appear courtesy of Musk Ox)
Music written, composed and recorded by Håvard Jørgensen between 2014-2018
Guitarrecording at home studio and in Lupercal, Oslo, 2017 and 2018
String arrangements & programmed strings by Håvard Jørgensen.
Mixed by Anders Møller at Subsonic Society throughout 2020
Mastered by Vegard Kleftås Sleipnes at Subsonic Society
Artwork by Trine + Kim Designstudio