SCHAMMASCH has today released their sixth studio effort, The Maldoror Chants: Old Ocean, via Prosthetic Records. The Swiss avant-garde experimentalists new album serves as the second offering in their The Maldoror Chants series, which is inspired by the 19th Century poetic novel Les chants de Maldoror by Comte de Lautréamont (Isidore Lucien Ducasse).
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Order The Maldoror Chants: Old Ocean here.
With Old Ocean SCHAMMASCH continue their 2017 journey into the bizarre and mystical spheres of Les chants de Maldoror, a dark 19th century literary classic that later ignited the spark responsible for the surrealist movement. Ever on the path of transformation, SCHAMMASCH once again take on new creative directions while still staying true to their signature trade of extensive compositions rich in experimentation and creativity, emotion and density.
Commenting on the album release, SCHAMMASCH shares: “Old Ocean is a monolithic opus of dark romanticism, expressing a deep longing for escaping human society and its petty sorrows, while at the same time singing high praise to the impregnable majesty of nature.
“The main artwork was once again created by Mexican surrealist Hector Pinéda who did a fantastic job in illustrating the album‘s underlying surrealistic vibes. Combined with the victorianesque framing stemming from UK-based illustration artist Adrian Baxter, as well as C.S.R’s own layout work on the packaging of Old Ocean, the album‘s aesthetical work beautifully reflects the love for detail that‘s flown into its every aspect.”
Originally conceived as a collection of shorter releases the idea behind The Maldoror Chants series has developed into a more elaborate shape and structure. This upcoming release will be the second in an ongoing series of works by SCHAMMASCH that draws from Les Chants de Maldoror – one of the 19th century’s most fascinating literary works which would later become part of the foundation of the surrealist movement. The first SCHAMMASCH release inspired by the book was 2017’s The Maldoror Chants: Hermaphrodite. The poetic novel was written by Comte de Lautréamont (also known as Isidore Lucien Ducasse) and published in the late 1860s. His writings have proved influential to other writers, musicians and visual artists over the years – including the likes of Dalí and Magritte.
For The Maldoror Chants: Old Ocean, SCHAMMASCH have specifically drawn inspiration from sections of the text that serve as a hymn to the splendour of the ocean as well as a provocative comparison between ocean and humanity, sardonically highlighting the latter’s inferiority. Finding a kinship to the evocative, melancholic sense of vastness, loneliness and societal aversion conjured up in the text, SCHAMMASCH’s chief songwriter, C.S.R embraced the book’s spirit and surreal lucidity during the persevering difficulties of the past years, resulting in personal growth and, yet again, a transformation of SCHAMMASCH’s artistic horizon. Old Ocean inherits an underlying sense of a longing; a longing to step outside of human society, to wash away the profanities and petty struggles – to dissolve into the unfathomable yet somewhat peaceful void of the sea, vanishing into the great unknown.
Sonically, the album charts the continued evolution in the sound of SCHAMMASCH; dark, gothy undertones rise often to the surface with sultry spoken word taking centre stage at various points. A pulsating, monolithic rhythm flows through the album with their atmospheric take on post-black metal providing a majestic backdrop – replete with a love for detail and the use of unusual elements like accordions, classical orchestration or industrial soundscapes – to explore existential thoughts on humanity and its ambivalent relationship to nature. Ethereal layers are delicately applied with the additional vocals of Kathrine Shepard (Sylvaine) on They Have Found Their Master and Image of the Infinite.
As has increasingly become the case, many of the album’s production duties were carried out by C.S.R himself, maintaining his introspective gaze on the work under creation. Additional engineering was handled by Michael Zech (The Ruins of Beverast, Secrets of the Moon), with further engineering, mixing and mastering courtesy of Markus Stock (Empyrium, The Vision Bleak). As with The Maldoror Chants: Hermaphrodite, the artwork for the release was created by Mexican surrealist Héctor Pineda, with the layout completed by C.S.R’s own Eye of Saros.
Whilst the music and lyrics that make up The Maldoror Chants: Old Ocean unfurled over the past decade-plus before being committed to tape, the resulting album is a vital and fresh sounding addition to the SCHAMMASCH discography. It may just be their most coherent work to date; an opus rich in creativity, leaving much to discover.
Praise for SCHAMMASCH‘s The Maldoror Chants: Old Ocean:
“SCHAMMASCH prove once and for all that they can be understood as a unique work of art, because music, poetry and aesthetics rarely mesh together as perfectly as they do here.” – Rock Hard DE (# 449)
“This is an urgent listening recommendation for all metal heads.” – Legacy (#152)
“It’s an impressive effort” – Decibel Magazine (#241)
“Old Ocean emerges as an emotional triumph, offering lavish rewards to those willing to patrol its vast depths.” – Metal Hammer (UK) (October, 2024)
“SCHAMMASCH once again prove how elegantly they can swirl around the most diverse influences.” – Metal.de
“Here, SCHAMMASCH demonstrate greater focus of vision and image.” – Boolin Tunes
“…it’s to the band’s credit (and a testament to their songwriting skills) that while many individual elements are relatively simple and refined their collective impact is far more profound.” – No Clean Singing
“It’s as if the album itself is a living entity, drawing you further into its haunting world with each passing minute.” – Metal Temple
The Maldoror Chants: Old Ocean tracklist:
1. Crystal Waves
2. A Somber Mystery
3. Your Waters Are Bitter
4. They Have Found Their Master
5. Image of the Infinite
6. I Hail You, Old Ocean
Upcoming SCHAMMASCH tour dates:
December 6 – De Mortem Et Diabolum – Berlin, Germany
December 14 – Eindhoven Metal Meeting – Eindhoven, Netherlands
April 20 – Inferno – Oslo, Norway